The Green Hornet

Reposting to correct error. Kato was not John Cho (of Harold and Kumar) but Jay Chou (of ....) .

The problem with Michel Gondry's The Green Hornet is not Seth Rogen's now familiar schlubby self-centeredness (which pretty much is the extent of his character portfolio). The problem with the movie is its length, loudness and loutishness. I thought Rogen's Pineapple Express (which he also scripted with Evan Goldberg) had the same problems, even though that film was crafted by a different director. That's not to say The Green Hornet has no entertainment value. It has piles and piles of it, if you enjoy visually arresting martial arts battles (courtesy of Jay Chou's Kato), high-speed vehicular crack ups and the destruction of urban architecture. It also features Christoph Waltz, the menacing Nazi interrogator from Inglourious Basterds, as a sartorially challenge criminal mastermind. For a former newshound like myself, the picture packs some clever insights into contemporary journalism, and the final (endless) shoot-out actually takes place in a newspaper press room. (The first time that's been done, I bet.) In the end, if you like Rogen's schtick (and not everyone does) and you enjoy your jokes evenly divided between smart and snark (ditto) and your gun-play deafening, then The Green Hornet is the ticket. P.S., I saw it in 2D and don't think I missed much.

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